Schenker junto a Bobby Blotzer de Ratt y Share Pedersen de Vixen, decidieron crear un supergrupo al que llamaron Contraband que nació oficialmente en septiembre de 1990. La banda nació luego de las grabaciones de los conciertos unplugged de Ratt y Vixen para la MTV, en la cual el guitarrista alemán Michael Schenker fue invitado en reemplazo de Robbin Crosby. Contraband fue un supergrupo fundado en 1990 en la ciudad estadounidense de Los Ángeles, por algunos integrantes de las bandas McAuley Schenker Group, Ratt, Shark Island, L.A.Formé en 1990, le groupe ne publie qu'un seul album, homonyme, avant de se séparer en 1991. Contraband est un supergroupe américain de hard rock et glam metal, originaire de Los Angeles, en Californie.Contraband war eine kurzlebige, 1990 gegründete sogenannte Supergroup, in der bekannte Rockmusiker der 1980er Jahre mitwirkten."Loud Guitars, Fast Cars & Wild, Wild Livin'" was later covered as "Loud Guitars, Fast Cars & Wild, Wild Women" by Blue Tears later in the early 1990s and released for the 2005 album Dancin' On the Back Streets. Their cover version of "All the Way from Memphis" appeared on the UK record chart in July 1991. In the US, the album charted at number 187.
Contraband 1980 movie#
The song "Loud Guitars, Fast Cars & Wild, Wild Livin'" was included in the movie If Looks Could Kill soundtrack. The album was a commercial failure and the band disbanded shortly after, while touring with Ratt. The band released only one self-titled album in 1991 which received lukewarm reviews. Contraband came to be after a Vixen and Ratt unplugged session on MTV. Contraband was a short-lived supergroup/side project that included members of several famous rock bands from the 1980s, such as Shark Island, McAuley Schenker Group, Ratt, L.A.Burroughs in the Dreamachine (2014) from Cult Epics + FLickeR (2008) made by the NFB. The blog’s augmented with a plethora of sexy camera and lens stills + two making-of featurettes, but coming next at are reviews of documentaries on a trippy device known as a dream machine: William S. I’m finishing up on another blog at Big Head Amusements on the filming / editing of Marilla Wex’s Lost and Found, videotaped with a vintage 1986 ENG tube camera at the 2014 Toronto Fringe Festival. soundtrack LP which I bought a decade ago during an extended phase of LP binge buying. I’ll pair the podcast with a review of the original U.S.
Minogue, who discusses his entry into film scoring with Roar! (1981), the ‘ferocious comedy’ that cost $17 million and 11 years to make. 8 at The Opera House, where Goblin performed in 2013), so where you hear ‘rumours of a date in the intro,’ just replace with ‘He’s coming!!!’ As some have pondered in recent Facebook posts, hopefully the concert will include the orchestra as well.Īs I state at the end of the podcast, coming next is a lengthy interview with composer Terence P. The podcast was edited a few days before Frizzi announced a Toronto date for Frizzi 2 Fulci ( Thursday Oct.
Contraband 1980 full#
podcast – available on iTunes, Libsyn, and YouTube – features the full interview which was the basis for a shorter profile in Rue Morgue magazine, and Frizzi’s hugely gregarious personality which undoubtedly tickled audiences who attended his prior 20 concerts. (I still have to track down those CDs, but expect eventual reviews.) I’ve added a review of Blue Underground’s DVD which features the uncut Italian edit with all the face burning, cranial trauma, and other meanness that’s more intense than a standard gangster drama. Beautiful painted Italian poster with a clean, balanced layout.Īlso touched upon is the restoration of Contraband (1980), which makes its soundtrack album debut via Beat Records, the venerable Italian label who also released a 2-CD set of Frizzi’s 2013 Union Chapel concert.
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